Cold War Kids have slowly evolved from the lo-fi, soulful, blues rock over the years with each release; leaning towards a Kids’ filtered pop. With Hold My Home the band returns to the bluesy rock for which they are known!
Label: Downtown Release Date: October 21, 2014 Cold War Kids downtownrecords.com
Cold War Kids have returned with the brand of bluesy soul punk from which they diverged with their 2011 LP, Mine is Yours and rediscovered with Dear Miss Lonelyhearts. For their fifth album, Hold My Home, the Kids have created some tracks that are reminiscent to their older sounds that garnered their fanbase. Lyrically the Kids continue to explore insecurities, relationships, and peoples’ conflicting personalities and as with every LP from Cold War Kids, the songs that stand out are those that balance the music with Nathan Willett’s strong vocals.
The moments on Home that work the best are when less layers of sound are used, allowing Willet’s voice to flow with the music rather than create a loud noise to outdo him. Unfortunately the latter is a pattern on Hold My Home with tracks like “Drive Desperate” or “Flower Drum Song;” the chorus doesn’t quite match the catchy, strong beginning or make a cohesive transition. The title track begins with a heavy, fast and punchy bass that gives way to a screeching organ and guitar. Loud can be good, however here it can prove jarring.
Yet the moments on Hold My Home that shine are songs “Go Quietly,” “Nights & Weekends” and the catchy “Hot Coals.” “Go Quietly” begins with a dirty guitar riff and Willets’ voice before opening up to a punchy bass, rolling drums and a falsetto chorus that makes the song. “Nights & Weekends” and the minimalist track “Harold Bloom,” which only includes a calm organ and cymbals, possess a welcoming, laid-back blues vibe. And the energetic “Hot Coals” includes a mid-pitched quickened guitar riff and rumbling bass that will sound familiar to Kids’ fans as Willet sings, “I suspect the reason I am loved is because of how tight I’m holding on.”
Half of Hold My Home includes tracks that may grow on you with time while the other tracks jump out and snare you with their instant appeal.
The number of artists melding blues, rock, pop and soul into one is on the rise. However, many musicians merely reenact sounds from our musical past and often remain in the confines of this paradigm. Enter California’s Cold War Kids: they have manipulated this fine equation to create a sound all their own, injecting a jolt of adrenaline into this evolving genre.
En route to Anchorage, Alaska, the last stop of Cold War Kids’ short tour in support of their latest EP Behave Yourself, lead singer Nathan Willet took a few moments in between flights to chat. So while sitting in an airport amongst crying children and chattering passengers Willet discussed future plans for Kids ‐ Willet, guitarist Jonathan Russell, bassist Matt Maust, drummer Matt Aveiro ‐ and the recent release of Behave.
However you’d like to define “success” it is fair to say Cold War Kids is on the cusp of it. When the Kids formed six years ago, they did not put the cart before the horse with delusions of grandeur. “We didn’t really know what our hopes were from the beginning.” Willet says, adding, “All we knew is that we liked the kind of music we were playing. Now we’ve kind of come into success and found our place, it’s very much what we’ve hoped for.”
Humbled by the experience, Willet admits, “I’m always amazed ‐ especially with this last record ‐ that people know all the words, even to the old recordings. It feels good, it’s incredible, it really blows me away. Over the last four years of touring it keeps growing and it’s really great.” However, from the other side of the mic, it is easy to see why spectators become enamored by the Kids; one live performance and they will reform naysayers and recruit new fans. (After having personally witnessed Cold War Kids in action, I can say this with assurance. Before the show began a security guard approached and asked, “What kind of music do they do?” After their sweltering performance I had to ask for his thoughts: with a shrug and smile the bouncer admitted, “Oh yeah, they were good.”)
And three EPs and two LPs later, Cold War Kids’ compositions improve with each release. A bridge between Loyal to Loyalty and their upcoming third LP, Behave is a collection of songs that did not make it onto the sophomore release. One listen to the short, four track EP it’s clear that these songs were not cut due to an inferior sound. “The last record had a darker, broodier sound,” Willet explains. “These songs are more uplifting… lighter, so we re‐recorded them and released them on their own so that people would have a different ‘feel’ before the next album.” Indeed a “lighter” affair, Behave Yourself triggers that happy place in your sonic pleasure center. However, Cold War Kids’ music has always incorporated an upbeat tone even when a sense of foreboding lingers; the key to this juxtaposition, Willet’s lyrics.
Whether a contemplative pessimist in “Something is Not Right With Me,” a lovelorn woman in “Every Man I Fall For,” or a thieving church‐goer in “Passing the Hat,” Willet is known for weaving creative, narrative‐styled words that unveil troublesome tales from unique perspectives. But since the band wants to explore new terrain for their upcoming third LP, this may change… perhaps. Willet chuckles as he stammers, “You know, I don’t know yet. I do know that [the lyrics] will be more personal and less narrative…maybe.”
Well, possibly it’s too soon to make a definitive decision on the future creative process. Yet, one thing is certain: for the first time the Kids will be working with a producer throughout the entire process of album creation. Jacquire King, talented mixer to musicians such as Tom Waits, Josh Ritter, Buddy Guy and more, will add Cold War Kids to his roster. “This is the first time we’ve worked with someone who has a say in the songwriting and helps to shape how things are going to sound. It’s going to be a great experience, having his wisdom,” Willet says. “The old recordings were quick and fun, not a lot of overdub. This recording will be a much more lush arrangement. I think that this is the first time we have a high expectation for people to really respond to a record.”
And with the upcoming LP hopefully the Kids will achieve their ambitions. Fans will have faith; the Kids have every element to make this dream a reality ‐ great music, unique lyrics, and a memorable live show. Willet, clearly, has confidence in his and his bandmates’ abilities when he observes, “I think we are incredibly unique as a band especially compared to the mainstream world. I think that our qualities, combining soul and punk, are unique to people and we are forging ground on a musical category that no one is really doing right now.”
Worth noting, too, is the humanitarian side of the band: Cold War Kids let a portion of their recent ticket sales aid those in Haiti ‐ in addition to a benefit concert recently performed in NYC. Also, they continually raise awareness for Water Wells for Africa. Says Willet, “When we were on tour with Death Cab for Cutie we did a running [competition] where we raised money for [the organization].”
Once back in the sunny hills of California, Willet and the Cold War Kids will soon begin work on the third album. So, on this cold day, resting in an airport before taking off for Alaska, Willet gets one final question from BLURT: If you could choose five words to describe your band, what would they be?
Willet’s response after a moment of deliberation: “Soul punk for young souls.”
I have been a fan of the Californian quartet for some time now and had the luxury of catching them live in ’09 and interviewing lead singer Nathan Willet last year. So I had to round off “my three” with an album review of their latest release, Mine is Yours.
Indeed, a slight departure from their CWK “staple sound,” something Willet addressed in that marvelous interview I have linked up there, Mine is Yours still possess that Kid soul fans have grown to love…just not enough of it in my opinion. BUT! You be the judge…check out my Blurt review and be sure to visit Cold War Kids’ site.
Also, here is my favorite track on Mine is Yours, the extra soulified track “Sensitive Kid!”
I LOVE Cold War Kids. Their bluesy-soul, punk-rock tunes have always piqued my interest and I of course ran to see the guys live when they performed near me. This fulfilled the fan in me and made all of my hours listening to their music in my car, at work, in the morning while I brushed my teeth all the more self gratifying. Than came the opportunity to interview lead singer Nathan Willet (dude on the right in a semi-growl)…
*commence heavens opening and wee cherubs playing harps
Never fear, I did not act like a weird stalker girl, but maintained my composure and tried my best to ask Willet an array of questions that would give Blurt readers an insight on the Cali band. The end result, you ask? A fine feature interview by yours truly…an interview I am most proud of. And be sure to listen to Cold War Kids if you have not had the luxury of listening to their songs!
They were amazing, as I expected! However, the night began as a comedy of errors; not for the Kids…but for me. Several minutes were wasted by aimlessly driving through the twisting one way streets of downtown to reach the Music Hall. Then I searched for a close, but free, space to park. Twenty five minutes later we approach the closed, locked doors as security watched us stand in the cold (they were letting people in a few at the time). There were only four of us out there…
After a short wait we were allowed to enjoy the warm air of the club. First a bag check, then ID dude, then tickets. Three checkpoints. Excessive. Yet, after a brush with ID dude—his poor communication skills coupled with a certain writer forgetting her ID equated to the security guy puffing out his chest in my face in an attempt to intimidate said writer—then I was in the club. Sheesh! But after it was all said and done, Cold War Kids made my night!
Photo note: As they are used to the Californian sun, CWK must like to take a break from glaring lights when they perform live. The stage was REALLY dark while in the pit…didn’t walk away with many images. All shots were taken on B&W film, 28mm wide angles lens with the Minolta XG-1…
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