For Blurt Magazine:
Modest Mouse is back! Over 20 years have passed since their inception and the creative, lo-fi, explosive rock band toured in support of their newly released Strangers to Ourselves. Though the original line up that was Modest Mouse—singer/guitarist Isaac Brock, bassist Eric Judy and drummer Jeremiah Green—has been altered, added to, individuals briefly leave and return, the consistent member has always been Brock. Indeed, as the bombastic music and Green’s complexly delicate drumming are important elements to Modest Mouse’s music, Brock’s unique, delicate, gruff, lispy vocals have come to encapsulate Modest Mouse.
Since 2007’s We Were Dead Before the Ship Even Sank, it’s been an eight year wait for new material and the fans gathered this night at Babeville’s Ashbury Hall were ready for the band’s return. With an extensive discography to cover, Modest Mouse played mostly older fan favorites and the audience sang along to every song, old and new. Modest Mouse also returned with what has now become their live setup mainstay to create the level of noise expected from the seasoned musicians: two drummers (Green and Davey Brozowski), two guitarists (Brock and Jim Fairchild), two keyboardists (Lisa Molinaro and Tom Peloso) and a bassist (Russell Higbee). Unfortunately, Babeville’s sound system could not quite handle the musically stacked band but the sold out audience did not seem to mind as Modest Mouse drowned Ashbury with their sounds for two hours.
The converted church is a picturesque concert venue but too small for Modest Mouse’s fans as the hall was packed to the door with only standing room in the aisles remaining. Quite some time passed before the lights finally dimmed and Modest Mouse slowly emerged and approached their instruments. The crowd cheered at the seven members, yet one person was still missing. Once Brock walked onto the stage the audience exploded, to which Brock raised his cup to the fans. The band started the show with a loud bang, starting with new track “The Tortoise and the Tourist.” The loud number was a great opener as Brock shrieks the melodic chorus “so let’s walk on.” To my surprise, the next song was a personal favorite from popular album Good News for People Who Like Bad News, “Bury Me With It.” Once the first few familiar guitar chords were struck people cheered loudly and again sang along with Brock.
Green and Brozowski’s synchronized drumming was a show in itself as the two balanced drums and percussion and made it all look effortless. Brock took a break between songs to speak with the audience but his words could not be heard too well. After a few more songs, Brock had his mic replaced but it did not improve the quality; nevertheless, the band continued to play and the ecstatic fans continued to dance, sing and cheer them on. At one point, a fan grew so happy that he hopped and skipped up and down the aisle, singing along (his actions could easily be deemed “annoying” in such a small, hot space but his excitement was infectious as some couldn’t help but smile).
And the good spirits continued throughout the night as more than once the crowd filled the hall with their voices, either singing in unison with Brock or creating an unexpected call-and-answer moment with “The World at Large.” At one point Brock accidentally detuned his guitar for “Parting of the Sensory,” and of course it was his guitar that introduced the track. He stopped the band and addressed the crowd as he retuned, “see, what I did there was I was in tune, and I messed it up.” He started the song again and the rest of the night went without a hitch. And after a long night the band treated the Buffalo audience to a five song encore which was a bombastic close with fast, hard hitting and fun songs as “Dashboard” and “The Ground Walks, With Time in a Box.”
A live show that excels just listening to the albums, Modest Mouse still knows how to incite sonic chaos.
The Tortoise and the Tourist
Bury Me With It
Dark Center of the Universe
Lampshades On Fire
This Devil’s Workday
Pups to Dust
Doin’ the Cockroach
Parting of the Sensory
Of Course We Know
Tiny Cities Made of Ashes
The World at Large
The Ground Walks, With Time in a Box
The Good Times Are Killing Me